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Bruce Nauman is a restlessly inventive artist. Since the late 1960s he has shaped our understanding of how contemporary art can both reflect and comment on our experience of ourselves and of the world. 

Focusing in particular on his experiments with sound, language, moving image and immersive installations, this book includes texts on Nauman's video works of the 1980s and 1990s, as well as on the development of his studio practice over a period of fifty years, along with a conversation between the artist, Andrea Lissoni and Nicholas Serota. Nauman is here revealed as an artist who has made his mark on the art of both the twentieth and twenty-first centuries.

Art --- sculpture [visual works] --- neon sculpture --- installations [visual works] --- video art --- light art --- Nauman, Bruce --- Nauman, Bruce, --- kunst --- eenentwintigste eeuw --- twintigste eeuw --- Verenigde Staten --- installaties --- video --- videokunst --- video-installaties --- Nauman Bruce --- 7.071 NAUMAN --- Exhibitions

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Photomontage --- Et la photographie --- Academic collection --- 77 --- 77 Fotografie --- Fotografie --- Photography --- Postmodernisme --- Photography, Artistic --- Photographie artistique --- Dibbets, Jan --- Criticism, interpretation, etc --- Photography [Artistic ] --- Netherlands --- Friedl Peter --- Heidegger Martin --- Orozco Gabriel --- surveillance --- bewaking --- panorama's --- Wittgenstein Ludwig --- Man Ray --- Nauman Bruce --- Krauss Rosalind --- 7.01 --- 77.01 --- film --- kunst en fotografie --- intermedia --- intermedialiteit --- kunsttheorie --- kunst --- fotografietheorie --- fotografie --- Et la photographie.

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video art --- Film --- Art --- art [fine art] --- multi-channel video installations --- Nauman, Bruce --- Piene, Chloe --- Reip, Hugues --- Vostell, Wolf --- Bronson, Jessica --- Bartoloméo, Joël --- Cahen, Robert --- Kelley, Mike --- Levine, Les --- Akamatsu, Masayuki --- Sonnier, Keith --- Saks, Eric --- McCarthy, Paul --- Baldessari, John --- Jonas, Joan --- Delvoye, Wim --- Campus, Peter --- Viola, Bill --- Guiton, Jean-François --- Paik, Nam June --- Adams, Dennis --- Michel, Chantal --- Hill, Gary --- Fox, Terry --- Vasulka, Woody --- Welsh, Jeremy --- Vasulka, Steina --- Graham, Rodney --- Yonemoto, Bruce --- Ruiz de Infante, Francisco --- Oursler, Tony --- Acconci, Vito --- Muntadas, Antonio --- Pellas, Romain --- Thater, Diana --- Rosler, Martha --- Buchanan, Roderick --- Scurti, Franck --- Ant Farm --- anno 2000-2099 --- anno 1900-1999 --- Art vidéo --- Art corporel --- art [discipline]

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fotografie --- photography [process] --- artistieke fotografie --- Photography --- Intr. par Alain Sayag --- kunst --- Brus Günter --- Muehl Otto --- Schwarzkogler Rudolf --- Appelt Dieter --- Becher Bernd & Hilla --- Becher Bernd --- Becher Hilla --- Boltanski Christian --- Broodthaers marcel --- Brooks Ellen --- Close Chuck --- Conner Bruce --- Cumming Robert --- Dibbets Jan --- Drahos Tom --- Faucon Bernard --- Fleischer Alain --- Fulyon Hamish --- Gilbert & George --- Gioli Paolo --- Hilliard John --- Kiefer Anselm --- Le Gac Jean --- Leisgen Barbara --- Leisgen Michael --- Lewitt Sol --- Long Richard --- Lüthi Urs --- Matton Charles --- Mesnager Jérôme --- Michals Duane --- Nagatani Patrick --- Nauman Bruce --- de Nooijer Paul --- Rainer Arnulf --- Rauschenberg Robert --- Rousse Georges --- Ruscha Edward --- Samaras Lucas --- Sherman Cindy --- Skoglund Sandy --- Smithson Robert --- Starn Mike --- Starn Doug --- Tahara Keiichi --- Tosani patrick --- Udo Nils --- Warhol Andy --- Webb Boyd --- Wegman William --- Wilson-Pajic nancy --- Witkin Joel-Peter --- 77.038 --- 77.01

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Bekend om zijn grote fotocomposities gepresenteerd in lichtbakken, stelt de Canadese kunstenaar Jeff Wall (°1946) deze zomer een fascinerende confrontatie voor tussen zijn oeuvre en de historische en hedendaagse kunstenaars die dicht bij zijn universum staan. Sinds eind jaren ’70 tracht Jeff Wall de fotografie een bevoorrechte plaats te geven binnen de beeldende kunsten. Hij laat zich vaak inspireren door de schilderkunst om zijn composities een iconografisch karakter te verlenen. Zijn verwijzingen naar de klassieke schilderkunst, zoals La Mort de Sardanapale van Delacroix dat hem aanzette tot zijn beroemd werk The Destroyed Room (1978), zijn alom bekend en goed gedocumenteerd. Het originele tentoonstellingsconcept dat de kunstenaar in overleg met BOZAR ontwierp, plaatst zijn oeuvre binnen een bredere kunsthistorische en culturele context. Jeff Wall selecteerde zelf 25 eigen foto’s, van de jaren ’70 tot vandaag, en confronteert ze met werken van een aantal doelbewust gekozen kunstenaars die tijdens de afgelopen 40 jaar aan de basis liggen van zijn denkproces. Het gaat om zelden getoonde werken die grotendeels afkomstig zijn uit Europese en Noord-Amerikaanse collecties, van Duchamp, Arbus, Atget, Wols, Gursky, Claerbout, Struth, Stella, Smithson, Graham, Wallace, Weiner… Doorheen een rijk thematisch parcours, gaande van de historische fotografie over de cinema naar de literatuur.

exhibitions [events] --- photographs --- Photography --- Wall, Jeff --- 77.092.07 --- Cibachromes --- Fotografen ; Jeff Wall ; 1978-2006 --- Fotografie ; foto-installaties --- Lichtbakken ; lichtkasten --- Tentoonstellingscatalogi ; Brussel ; Bozar ; Paleis voor Schone Kunsten --- Wall, Jeff ; invloeden en tijdgenoten fotografen --- Wall, Jeff °1946 (°Vancouver, Canada) --- 77.071 WALL --- Althoff Kai --- Andre Carl --- Arbus Diane --- Arden Roy --- Atget Eugène --- Boiffard Jacques-André --- Brandt Bill --- Breton André --- Burden Chris --- Bustamante Jean-Marc --- Canada --- Claerbout David --- De Rooij Willem --- Duchamp Marcel --- Ellison Ralph --- Evans Walker --- Faigenbaum Patrick --- Fassbinder Rainer Werner --- Feldmann Hans-Peter --- Flavin Dan --- Frank Robert --- Graham Dan --- Graham Rodney --- Gursky Andreas --- Hausman Raoul --- Honert Martin --- Horsfield Craigie --- Huebler Douglas --- Hujar Peter --- Kafka Franz --- Levitt Helen --- Lewis Mark --- Marshall Kerry James --- Mishima Yukio --- Nauman Bruce --- Ruff Thomas --- Sander August --- Shore Stephen --- Smithson Robert --- Stella Frank --- Stieglitz Alfred --- Struth Thomas --- Tuymans Luc --- Waddell Stephen --- Wall Jeff --- Wallace Ian --- Weegee --- Weiner Lawrence --- Welling James --- Williams Christopher --- Winogrand Garry --- Wols --- concept art --- conceptuele kunst --- de Rijke Jeroen --- eenentwintigste eeuw --- fotografie --- kunst --- kunst en fotografie --- twintigste eeuw --- Fotografie --- Kunst; 20ste eeuw --- Kunst; 21ste eeuw --- Kunst; Verenigde Staten; 20ste eeuw --- 761.2 --- Althoff, Kai --- Andre, Carl --- Arbus, Diane --- Arden, Roy --- Atget, Eugene --- Boiffard, Jacques-André --- Brandt, Bill --- Breton, Andre --- Burden, Chris --- Bustamante, Jean-Marc --- Claerbout, David --- Duchamp, Marcel --- Ellison, Ralph --- Evans, Walker --- Faigenbaum, Patrick --- Fassbinder, Rainer Werner --- Feldmann, Hans-Peter --- Flavin, Dan --- Frank, Robert --- Graham, Dan --- Graham, Rodney --- Gursky, Andreas --- Hausmann, Raoul --- Honert, Martin --- Horsfield, Craigie --- Huebler, Douglas --- Hujar, Peter --- Kafka, Franz --- Levitt, Helen --- Lewis, Mark --- Marshall, Kerry James --- Mishima, Yukio --- Nauman, Bruce --- Ruff, Thomas --- Sander, August --- Shore, Stephen --- Smithson, Robert --- Stella, Frank --- Stieglitz, Alfred --- Struth, Thomas --- Tuymans, Luc --- Wadell, Stephen --- Wallace, Ian --- Weiner, Lawrence --- Welling, James --- Williams, Christopher --- Winogrand, Garry --- de Rijke, Jeroen --- de Rooij, Willem --- Fotografen A - Z --- fotografen, afzonderlijk --- Exhibitions --- Photographers --- Photography [Artistic ] --- Celebrities --- France --- Côte d'Azur (France) --- Portraits --- Pictorial works --- foto's --- tentoonstellingen --- Art, Canadian --- Art, Modern --- Photography, Artistic --- Wall, Jeff, --- artistieke fotografie